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After the performance, Waters stayed to take pictures and sign copies of his new book, "Carsick: John Waters Hitchhikes Across America." [excerpt]

Blue pills, contrary to what Breaking Bad may have you believe, act best as sedatives. Red and orange are stimulants. Cheery yellows make the most effective antidepressants, while green reduces anxiety and white soothes pain. Brighter colors and embossed brand names further strengthen these effects--a bright yellow pill with the name on its surface, for example, may have a stronger effect than a dull yellow pill without it.

When researchers take culture into account, things get a bit more complicated. For instance, the sedative power of blue doesn't work on Italian men. The scientists who discovered this anomaly think it's due to `gli Azzuri' (the Blues), Italy's national soccer team--because they associate the color blue with the drama of a match, it actually gets their adrenaline pumping. And yellow's connotations change in Africa, where it's associated with better antimalarial drugs, as eye whites can turn yellowish when a person is suffering from the disease. (Interestingly, this is the opposite of the norm. Just like with the burned-skin example, drugs usually work better when their color matches the intended outcome, not the symptoms of the condition they're treating). Such cultural variances are one reason why a drug may appear totally different in separate countries.

It's an idea echoed everywhere from "Friends" to "Girls": Young people want to live in cities. And, we're told, a lot of them (at least the cool ones) do.

It's a common assumption. But it's also wrong.

Between 2010 and 2013, the number of 20- to 29-year-olds in America grew by 4 percent. But the number living in the nation's core cities grew 3.2 percent. In other words, the share of 20-somethings living in urban areas actually declined slightly.

This trend has occurred in supposedly hot cities like San Fransisco, Boston, New York and D.C., notes demographer Wendell Cox. Chicago and Portland, Ore., both widely hailed as youth boom-towns, saw their numbers of 20-somethings decline, too.

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But it's not just that. According to the most recent generational survey research done by Magid and Associates, 43 percent of millennials describe the suburbs as their "ideal place to live," compared to 31 percent of older generations.

Only 17 percent of Millennials identify the urban core as where they want to settle permanently. Another survey, by the Demand Institute (funded by the Conference Board and Neilsen), found that 48 percent of 20-somethings hoped to move to the suburbs one day. And contrary to popular myth, they hoped to own a single-family home. Sixty-one percent seek more space.

These findings may actually understate the suburban preference. As people age, particularly entering the child-bearing period between 30 and 50, they long have displayed a distinct tendency to move to suburban areas.

Ebola threatens the world's chocolate supply.

Ebola is threatening much of the world's chocolate supply.

Ivory Coast, the world's largest producer of cacao, the raw ingredient in M&M's, Butterfingers and Snickers Bars, has shut down its borders with Liberia and Guinea, putting a major crimp on the workforce needed to pick the beans that end up in chocolate bars and other treats just as the harvest season begins. The West African nation of about 20 million -- also known as Côte D'Ivoire -- has yet to experience a single case of Ebola, but the outbreak already could raise prices.
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The world's chocolate makers have taken notice.

The World Cocoa Foundation is working now to collect large donations from Nestlé, Mars and many of its 113 other members for its Coca Industry Response to Ebola Initiative. The initiative hasn't been publicly unveiled, but the WCF plans to announce details Wednesday, during its annual meeting in Copenhagen, Denmark, on how the money will fuel Red Cross and Caritas Internationalis work to help the infected and staunch Ebola's spread.

I get that you believe that no one else other than you and squeaky know anything at all about art. I get that you believe that anyone else who disagrees with your OPINION is completely lacking in knowledge and haters of all things related to art and artists. I get where you are coming from and I find it offensive and not behavior that is beneficial to the artist community as a whole.

Isn't that nice of them?
What a triumph for our diplomats.

If you've read the comics they did a great job of expanding on the cannibal part of the plot which in the comics was just a small subplot.

I especially liked the effect that the season premiere was really a season finale of last season.   The 2nd half of last season was a build up to this climatic opening.   They were scattered after the loss of the prison and the epic showdown with the Governor and each party eventually found themselves back on the run and then heading toward the hope of Terminus.

What they found was what we all knew.  There is no hope in this world other then the people you keep close to you.   The show has done a marvelous job unfolding the plot line that you can only trust those that you've known and killed with.  Everyone else is first a potential enemy until they prove otherwise.   Time after time if you take the chance on someone they let you down.   The people in Terminus learned the same lesson and then expanded on the evil that was done to them to be sure that they were never mistreated again.   This led to a sort of "institutional evil" that was more then even our jaded group of central characters had endured.   You can be sure that Rick and the others will learn this lesson and it will be a central theme in upcoming episodes.

I love the development of Carol and her quiet confidence.   When the guy tried to complete the trick of getting her to head towards Terminus she wasn't having any of it.  All she had to hear was the few words about her friends to know that her suspicions were confirmed and she was entering a war zone, not a friendly oasis.

Just an awesome episode that seemed to take 20 minutes rather then an hour.   I was worried we'd have a long slow moving episode that set up a 1/2 season of Terminus but instead we closed that plot line and now the possibilities are wide open.

I think they are going to enter into a phase where they adhere to the comics which if they do we have some great episodes coming up.   The priest int he preview is right out of the comics so I expect good things.

The longstanding question of a judge's power to impose a longer sentence by relying on conduct that the jury rejected as evidence of guilt will linger further.  Over the dissents of three Justices -- one fewer than the number needed to grant review -- the Court on Tuesday turned aside the latest attempt to get that constitutional question answered.  The denied case was Jones v. United States.

The jury in the case of three Washington, D.C., men found them not guilty of a conspiracy to run an "open air" market for large quantities of illegal drugs on the streets of the nation's capital, but it did find them guilty only of selling small quantities.  If the sentencing had followed those results, the three men would have faced sentences under federal guidelines of between thirty-three and seventy-one months.

The judge, however, decided that sentencing could also take into account the conduct that had led to the more serious conspiracy charge (the so-called "acquitted conduct") and opted to give the three men sentences ranging from 180 to 225 months.   They argued unsuccessfully, in a federal appeals court, that the longer sentences violated their Sixth Amendment right to have a jury decide the issue of guilt. The judge, in essence, convicted them of the more serious offense, too, despite the jury's contrary verdict.

Their appeal to the Supreme Court pressed that argument anew, but the Court declined review.  Justice Antonin Scalia, in a dissenting opinion joined by Justices Ruth Bader Ginsburg and Clarence Thomas, argued that the practice at issue "has gone on long enough."

Here's her First Lady page. Here are some of her accomplisments:

What is often overlooked is that Hayes had become a mover and shaker in her own right well before January 2011, when she and Kitzhaber took up residence in the governor's mansion. By that point, her credentials as an environmental leader were already established and she was known throughout the state as a visionary and an agent of change.